Scott Pilgrim vs The World

August 29, 2010

As much as I have fond memories of my childhood and the frivolities of life as a youngster, I can’t help but find certain hipster trends in recent years both shallow and regressive.  Yes, I loved playing SNES games and arcade fighters and I loved the Smashing Pumpkins, but referencing the obsessions of a bygone era does not endear me to the nostalgia-laden world that people selling Megaman t-shirts and and their chillwave bands are basking in.  Not to denigrate the cultural touchstones of a generation, obviously including my own, but the mere mention of a tanooki suit does not fill me warm, fuzzy feelings and it certainly does not elicit a chuckle.  Such are the dangers of geekdom, for making some ‘shit that is awesome’ is not enough to generally enough to make that same ‘shit’ interesting, and certainly not if the only thing ‘awesome’ about it is that it stirs up memories of my life as an 11 year old.  After all, ‘Remember when’ is the lowest form of conversation.

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Junkfish: Piranha 3D

August 23, 2010

After all the hype, the derision, the debate, the increasing sales, the pitiful cash-ins, and the recent fall-off in interest (if box office is anything to go by, anyway), 3D finally comes into its own with Piranha 3D.  James Cameron and other somewhat credible directors might see it as the future of film-making, and there is every chance that someone will come along and do something interesting with it, but at this moment, through the blood-soaked vessel that is Piranha 3D, it reveals its strength to be in pure, unmitigated schlock.  It’s a gimmick, nothing more, and should only be used (if, indeed, at all) in the service of puerile, tongue-in-cheek affairs.  And this film is so tongue-in-cheek it explodes violently through the skin, not unlike the titular aquatic beasts. Read the rest of this entry »

Having seen the first two Twilight films, I figured despite their horrendous nature I might as well see it out as we’re so close to the end.  Unfortunately Hollywood has decided to capitalize on the phenomenon, I mean, give the final book and all its nuance what it really deserves by splitting it into two films, so it turns out I’m just past the halfway point.  With Eclipse we have, yet again, a new director in David Slade, the not untalented man behind the suspenseful two person drama Hard Candy and the perfectly reason vampire-action flick 30 Days of Night.  Faint praise it might be, but it is the best of series so far, though not by much and it still doesn’t approach anything resembling ‘passable.’ Read the rest of this entry »