American Sniper

January 21, 2015

Spoilers Abound!  Beware! thumbnail_19703

On the phone with a friend some months ago I talked about being keen to see American Sniper when I found out it was in production. I remembered Chris Kyle, the much touted “deadliest sniper in US military history”, doing the rounds of some talk shows a few years back and being a particularly odious, unreflective individual. When I read about the tragic irony of his death, I thought it would make an interesting movie and, with Eastwood at the film, a Rorschach test for the politics of those who saw it. American Sniper is, for me, not a particularly good film, and though it betrays a certain Conservatism, the back-and-forth we’re getting over its politics, especially after it’s huge box office opening, suggests there’s something to the Rorschach element. There are many good and nuanced arguments available on this topic, as well as a great many that are pretty dunderheaded from both sides. Much of it comes down to the issue of the morality of art: does it have a duty to condemn? Read the rest of this entry »

Advertisements

Guardians of the Galaxy

August 2, 2014

GuardiansOfTheGalaxy

The announcement that Marvel was truly cashing in its credibility chips – even moreso than they did with Thor, for despite that character being well known, introducing a whole intergalactic mythos is a far cry from following the origin of an earth bound superhero – with Guardians of the Galaxy, a little known (and unknown completely to me) property into the Cinematic Universe that has become the Hollywood juggernaut of the last 8 or so years, was a huge surprise to many. Giving a huge budget to little known character that were based in worlds entirely unknown and populating it with B list stars was a ballsy move, especially considering there’s little earth-based grounding to ease the transition. This significant departure from the normal formula is probably why this has been the most anticipated of the Marvel films in a while, if only because there was a huge question mark around how it would be received. Handing over co-writing and directing duties to James Gunn, who cut his teeth at micro-budget schlock studio Troma and whose directorial efforts have thus far been intriguing, if not always successful, idiosyncratic genre exercises. The fact that we get a pretty traditional space opera drenched in the kind of Whedonesque post-modern humour that’s been one of the keys to the success of the Marvel enterprise is almost disappointing in its obviousness. Not to say it isn’t enjoyable – it is actually very much so – but for those of us looking to see what this multi-film franchise could really do, it gives us a clearer idea of just what the limits are, even as it expands beyond what’s come before. Read the rest of this entry »