The Counselor

March 9, 2014

Note: I have seen the 20-odd-minute longer Extended Cut and not the Theatrical version. Also: More spoilers than usual. Not that it matters.  

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The Counselor doesn’t care what you think of it.  It just doesn’t.  It’s an admirable quality in this instance, and doubly so when you consider the pedigree: First screenplay by Pulitzer Prize winner Cormac McCarthy (who has entered the cinematic pantheon to some degree when his book No Country Old Men was adapted into a Best Picture winner), directed by Ridley Scott, supporting roles for Brad Pitt and Cameron Diaz and a host of character actors to boot.  Despite all this, or maybe because of its gravitas-heavy position before a camera began to roll, it really just doesn’t give a damn what you think.  None of which is to say it’s a good movie, though it is certainly an interesting one, even in a somewhat limited “your mileage may vary” sort of way.  If you can handle (or, preferably, relish) the hard-bitten cynicism that dwarfs most modern noirs, this might be for you.  If you can handle long exchanges that probe the nature of existence to varying degrees of success, then it might be for you.  If you can appreciate that the McGuffin spends the entire film traveling in a septic truck – yes, the thing everyone wants is submerged in shit – then this might be the film for you. Read the rest of this entry »

True Detective and Hannibal

February 17, 2014

This contains SPOILERS for everything up to episode 5 of True Detective.  It is also written from the ignorance of not having seen the final three episodes left.  So hello posterity, I hope you’re having a good and hearty laugh.

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If it’s true that in the new age of “sophisticated” television drama, the best ones teach you how to watch it, then HBO’s True Detective is an absolute befuddling mess.  The first season of a planned anthology show (i.e. each season will be self-contained with different characters/actors/directors) is a gorgeously hypnotic investigation of a genre that’s so peculiar in its mannerisms, intelligence, and plotting that half way through, I quite frankly have no idea where it’s going to go or, more importantly, what it’s trying to do.  This could be seen as a fault, of course, but the HBO brand – not to mention the star power and directorial talent involved – has ensured a degree of kindness when it comes to giving the benefit of the doubt.  It is certainly odd, however, that the show premiered within a year from the debut of another serial killer investigation show, also strangely featuring naked female corpses with antlers.  NBC’s Hannibal is quite easily the best network drama on air, and though that’s a pretty low hurdle to jump, it shouldn’t take away from Bryan Fullers twisted, nightmarish achievement.  Read the rest of this entry »