Cosmopolis

August 30, 2012

I have never read Dom Delillo’s Cosmopolis (or, indeed, any of his novels), so approaching David Cronenberg’s film version is something of a tricky prospect.  It’s the first screenplay Cronenberg has written himself since eXistenZ, and I imagine an awful lot of it was lifted wholesale from the source.  There’s certainly no attempt to translate what seems to me to be a stilted, idiosyncratic voice into anything approaching naturalistic, and I can’t help but assume that is intentional.  That is not to say it isn’t cinematic, because quite the opposite is true – a lot of work has gone into the crafting, and for a very ‘talky’ film, it never suffers from the visually drab, stagey qualities that similarly wordy (usually play) adaptations so often do.  Still, many have written that this film is dull or asleep or, at the very least, “not for everyone”, and I can see why they came to those conclusions (I even agree with the last of those).  However, the dreamy, talky nature is part of the point, and it’s expression is cinematic despite its heavily reliance on the words. Read the rest of this entry »

Advertisements