Iron Man 3

May 3, 2013

IRON MAN 3

The Marvel Machine rampages on in Iron Man 3, which is already taking in incredible amounts of money because, I think, Marvel is exceptionally good at product management.  It says something about the skill of digital effects companies that you can make a solid action blockbuster product without the specific skill-set of an “action director”, and thus we have reached the point where the talent is brought in for their ability to keep a certain level of quality, not take risks and, most importantly, keep the writing snappy.  Though some of the films have had minor aesthetic differences, they all more or less look the same:  generally bright, inoffensive, with a dash of pop art stylization without going full-blown Ang Lee.  The last two entries, especially, have had one major authorial difference and that’s in the writing.  The Avengers largely kept to Joss Whedon’s not inconsiderable talent for wit, and now Iron Man 3 flows right into Shane Black’s wheelhouse.  The fact that it’s distinctive is down almost solely to the script, and if it doesn’t set it necessarily to a higher standard than other Marvel fare, it’s at least different.  Read the rest of this entry »

The Avengers

May 5, 2012

Despite being a ready-made blockbuster success, The Avengers had a pretty significant hurdle to clear if it wanted to be any good – a notion that is hardly necessary when the quality of a film like this is rarely important when it comes to being a “success”.  Ensemble films are tricky enough, but when four of the central characters have each had movies of their own, attempting to corral them all into something sensible without giving short-shrift to anyone is doubly (or, quadruply?) so.  This is all to say that anyone who says that writer/director Joss Whedon, who was given the task of putting this all together, merely has to “not screw it up,” they’re doing an extreme disservice to the sheer difficulty of the task at hand.  A surfeit of good, existing elements is probably harder to make into something even basically functional as a movie than starting from the ground up.  It’s a small wonder, then, that The Avengers is not only good, it is better than it probably needs to be and is certainly the best of this slate of Marvel films.

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