kingsman-image

There’s something queasy about the bright, digital dullness of Kingsman: The Secret Service.  Matthew Vaughn’s style worked well enough in his (other) 60s throwback pastiche, the singularly interesting if not terribly exciting X-Men: First Class – and it’s a testament to his particular visual sense that the similar era wasn’t nearly as fun or vivid in Singer’s Days of Future Past installment – but here he runs into the same trouble as he did with his previous Mark Millar comic book adaptation, Kick-Ass.  The contrast of extreme violence with the bright, silly worlds created isn’t, for the most part, shocking enough to register as anything other than nihilist geek gore.  Read the rest of this entry »

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