Inception

July 22, 2010

Not since Christopher Nolan’s own Dark Knight have I seen as much internet brew-ha-ha over a film.  It’s enough to make me want to pull what’s left of my hair out.  Ultra-fanboys and reactionary haters have drawn their lines, almost forcing the large quantity of folk in the middle to choose a side based on which one is less annoying.  I have to admit that I have had little time for this kind of debate, and while drinking up the plethora of reviews and post-mortems and meta-discussions, I have now forced myself to ignore comment sections completely.  Those reviews and articles have brought to the surface of a number of questions about fan-based opinion, the credibility of the remaining professional critics, what kind of standards are applied to what type of movie, and of course the degree to which backlash plays a role in influencing opinion.  There’s a lot to unpack, but I think the best way to deal with Inception right now is to attempt to recount my first impressions upon leaving the cinema.  This is, despite a lot of people’s desire to defend it and attack it as such, not an art film.  It is a $200 million summer thriller whose purpose is, first and foremost, to entertain.  As with virtually every other review posted around the web, it should be noted that spoilers will abound, so if you’ve not seen it, do not read on. Read the rest of this entry »

Shutter Island

April 8, 2010

Beware of Spoilers of ‘The Twist’, even though it is obvious enough if you’ve ever seen the trailer or, in fact, any movie ever.

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