Guardians of the Galaxy

August 2, 2014

GuardiansOfTheGalaxy

The announcement that Marvel was truly cashing in its credibility chips – even moreso than they did with Thor, for despite that character being well known, introducing a whole intergalactic mythos is a far cry from following the origin of an earth bound superhero – with Guardians of the Galaxy, a little known (and unknown completely to me) property into the Cinematic Universe that has become the Hollywood juggernaut of the last 8 or so years, was a huge surprise to many. Giving a huge budget to little known character that were based in worlds entirely unknown and populating it with B list stars was a ballsy move, especially considering there’s little earth-based grounding to ease the transition. This significant departure from the normal formula is probably why this has been the most anticipated of the Marvel films in a while, if only because there was a huge question mark around how it would be received. Handing over co-writing and directing duties to James Gunn, who cut his teeth at micro-budget schlock studio Troma and whose directorial efforts have thus far been intriguing, if not always successful, idiosyncratic genre exercises. The fact that we get a pretty traditional space opera drenched in the kind of Whedonesque post-modern humour that’s been one of the keys to the success of the Marvel enterprise is almost disappointing in its obviousness. Not to say it isn’t enjoyable – it is actually very much so – but for those of us looking to see what this multi-film franchise could really do, it gives us a clearer idea of just what the limits are, even as it expands beyond what’s come before. Read the rest of this entry »

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THE LONE RANGER

Armie Hammer and Johnny Depp must be greatly annoyed that notable US Box Office flop The Lone Ranger didn’t open overseas day and date, as has been the trend with tentpoles over the past decade or so.  Now they’ve been forced into the unenviable position of promoting a film that is already leaden with bad press (and bad reviews).  To summarize, both Hammer and Depp blame the movie’s Stateside failure on critics who pre-judged due to the troubled production news that was, quite frankly, everywhere.  Now, briefly, let’s pause for a series of “on the one hand”: Read the rest of this entry »